ریحانه یزدی

In its simplest sense, artistic imagery or the artistic painting is a poetic drawing formed on the basis of words and vocabulary. This drawing is largely metaphorical and reveals a hidden line of human emotions in the text. In other words, this form reflects the poet's own special poetic feeling and emotion that flows towards the reader. Because when the poet reads his poem, he mixes the different facts that he has collected in his mind in his imagination and recreates them to describe an artistic psychological view that reveals the poet or writer's intellectual and emotional feelings. These images are full of life, movement and creativity, and at the same time the poet can convey his idea, insight and psychological experience to the embodied viewer. Visual arts are those rhetorical arts that poets use to imagine their thoughts, feelings, and portray their intended meanings in their own style. Visual arts appear in different forms, the most prominent of which are: symbol, metaphor, simile, metonymy, repetition, etc. The important thing in this research is to study this form of image creation and the use of its tools and mechanisms in the poetry of the famous Iranian and Palestinian resistance poets Naser-Allah Mardani and Tamim al-Barghouti. These two poets have used different mechanisms to make their resistance poems more effective and efficient, which were effective in shaping their artistic painting of resistance. The results show an increase in the intensity of these mechanisms in the works of the two poets. The constant use of repetition and the use of symbols for more impact and creating harmony between sounds and letters with hidden meaning are among the most important characteristics of the artistic poetic paintings of the two poets. It is worth noting that the method used in this research is descriptive and analytical.